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Peer Raben Music Award

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Nine composers are nominated for the PEER RABEN MUSIC AWARD. The winner will be announced at the festival awards ceremony on July 17 at the COMEDIA Theater.

The PEER RABEN MUSIC AWARD honors the Best Original Music in a Short Film. The winner receives a prize money of 1,500 euros. First presented in 2009, the award commemorates the great German film composer Peer Raben.

Nominated are seven film scores from festival highlights of the international short film scene, recognised for their innovative and dramaturgically coherent use of music and sound in relation to the narrative.

This year's selection features award-winning titles including The Apricot, winner of Best Animated Short Film at the New York International Children's Film Festival and Best Animated Short for Kids at the Portland Festival of Cinema, as well as The Gathering Light, selected for Flickerfest, Australia's leading international short film festival.

The nominees:

- Ksenia Ignatenko & Leticia Martínez Goás (A Better You, directed by Arina Popa)
-
Becca Schack (Unbound, directed by Kendra Copeland)
Dayanera Alipour & Maximilian Lindinger (MELPOMENE - Fragments of a fever dream, directed by Kai Sieber)
Daniel Duque (The Gathering Light, directed by Xavier Masson-Leach)
Ayda Akbal (Rough Ways, directed by Benjamin McFadden)
-
Pascal Horn (The Apricot, directed by Alex Avila)
-
Lukas Geppert (Lantern, directed by Leopold Schraudolph)

The competition screening will take place on Thursday, July 16, at 18:30, at Odeon Kino 2. To buy tickets for the screening, click here.

The dystopian A Better You takes us into a near-future society that enforces positivity. A woman desperate to keep her vulnerable brother safe must perform emotional labour for a therapy dog and survive a system that has already swallowed everyone around her. Unbound explores stereotypical typecasting through the story of a talented Black actress, a powerful one-woman show. In MELPOMENE – Fragments of a Fever Dream, theatrical performer Lucien tries to let go of the stress of a recent performance when an emotional dialogue breaks out about young artists' fears for the future. Selected for Australia's Flickerfest Film Festival, The Gathering Light follows an old man searching for jewels in the Hawkesbury River. Set in the wild Washington territory of 1887, Rough Ways centres on the battle of The Kid, who suddenly faces a choice that might determine the rest of his life. The hand-drawn 2D animated film The Apricot tells the story of a 10-year-old boy and his first summer working on his family's apricot farm; a two-time award-winning project based on real childhood memories the director holds dear. Lantern takes us into another dystopian world, where a girl must befriend the magical creature trapped inside a lantern in order to escape her captor and the cruel system he upholds.

The nominees and their films will be presented to audience and jury under the moderation of composer André Feldhaus.

Get your badge now and attend this exciting competition.

NOMINEES
Ksenia Ignatenko

Ksenia Ignatenko (*2001) is a media composer, classical singer and songwriter. She embarked on her musical journey at the age of 8 with her debut singing performance at the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre.

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Ksenia Ignatenko

Composer

Leticia Goás

Leticia Goás (b. 1999) is a Spanish composer and orchestrator based in Zurich. She has worked with games, televison, documentary film, fiction and audiovisual media across Switzerland, Germany, and Spain.

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Leticia Goás

Composer

Becca Schack

New York-born, Los Angeles-based composer, songwriter, and artist creating music for film, television, and video games.

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Becca Schack

Composer

 Dayanera Alipour

Dayanera Alipour is a composer and pianist with passion for interdisciplinary work at an early age. Her work is driven by the intention to create music that touches and connects people.

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Dayanera Alipour

Composer

Maximilian Lindinger

Film composer focused on writing music that tells the story behind the images. He has worked worked for television films, the Munich Symphony Orchestra and international film productions.

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Maximilian Lindinger

Composer

Daniel Duque

Spanish-Australian composer, currently based in Sydney. He's a master's graduate from the Australian Film Television and Radio School. As a Composer and Filmmaker,

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Daniel Duque

Composer

Ayda Akbal

Turkish-Australian composer and artist. She scored, The Official Marvel Podcast, becoming the first Australian composer to enter the Marvel Cinematic Universe.

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Ayda Akbal

Composer

Pascal Horn

German composer, orchestrator, and music theorist based in Düsseldorf. His profound fascination and deep passion for music of a wide variety of musical genres also finds expression in his artistic work.

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Pascal Horn

Composer

Lukas Geppert

Los Angeles–based film composer, producer, and songwriter whose music appears in major productions including Final Destination 6 and Nobody 2. He has collaborated with Lorne Balfe, recorded at studios like Warner Bros.

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Lukas Geppert

Composer

Regulations PEER RABEN MUSIC AWARD at SoundTrack_Cologne 23, 2026:

1. General conditions

Prized will be the best soundtrack for a short film. The film must not exceed 15 minutes in duration; there are no restrictions regarding form, theme, or genre. The film music must have been primarily composed for the film and must play a distinctive narrative and dramaturgical role in relation to the images.

If the selection committee does not accept a film for the competition, it has the option to be placed in one of the extra screenings.

2. Submission criteria

• Films with a maximum length of 15-minutes (incl. end credits) in all industry standard formats.
• Short films whose production was completed after January 1, 2025 or that premiered after January 1, 2025.
There are no restrictions regarding country of production, genre, or content;  however, the film must be accompanied predominantly by original music that has been specifically composed for the film and forms an integral part of the film's narrative.
• The nominees should be present at the screening of the films and will be presented to the audience and the jury during the competition screening.
   The award ceremony will take place during the official gala on July 17th, 2026.

3. Organiser and date

SoundTrack_Cologne is held by TelevisorTroika GmbH. The festival will take place in Cologne / Germany from July 14 - 17, 2026.

4. Entry requirements

a) The film has to be submitted via the online entry form provided by SoundTrack_Cologne.

b) The applicant gets sent the filled form in pdf to the provided email address. The applicant has to send the submission form signed to the email: peerraben@soundtrackcologne.de

Without the signed submission form the application is not complete and will not be considered by the jury!

c) Early bird deadline is March 26th, 2026, 10:00am CEST. Final deadline is April 15th, 2026, 10:00am CEST.

d) Each entry requires a unique entry and a completed and signed entry form. Use a separate entry form for each film.

e) The running time of the film may not exceed 15 minutes.

f) All short films whose production was completed after January 1st, 2025, or which had their premiere after January 1st, 2025, are eligible for submission. These conditions are subject to change by the organiser.

g) The film should be mostly accompanied by original music.

h) Works cannot be withdrawn from the competition after submission.

i) Works can only be submitted once. Submitting the same film in the following year is not accepted - regardless if the work was selected for the short list or if it still fits the timeframe mentioned in f).

5. Preview copy / Entries

a) The preferred option is entering the preview copy digitally via online link, preferably with the option to download the file. There is a field in the application form to fill in the URL. Please make sure that download and/or viewing link remain active untill at least July 17th, 2026 and any required password is not changed. Additionally we ask you to provide an access to the preview copy that does not require further registration. If the link you are sharing is from Vimeo, please be sure that your video is rated; that means, you need to specify whether it's suitable for all audiences or if it has an age restriction. Otherwise, the site won't allow the jury to view the video without registering. To verify this works, make sure the link is visible in a browser where you're not logged into your Vimeo account.

b) If the original language of the film is neither German nor English, subtitles in one of those languages are necessary. In the absence of subtitles a film script in German or English must be enclosed during the selection process. If the film is selected, the screening print has to have English or German subtitles.

c) Preview material will remain in the festival archive.

6. Selection

The selection committee will evaluate the preview copy that reached the festival by April 15, 2026, 10:00am CEST. All entrants will be notified of the selection results in time. The results will be sent by email only. Please send your submission as soon as possible and do not wait until close to the deadline. This will support the selection process.

7. Screening print / Accepted film formats

The screening print, only requested after the selection process, can be one of the following formats: DCP, DVD, BluRay-Disc and digital file (e.g. high quality prores). The video format has to be PAL only (no NTSC, SECAM or similar). If the original language of the film is neither German nor English, subtitles in one of those languages are required.

8. Submission fee

Early Bird Deadline until 26th March: 12 Euros
Late Deadline until 15th April: 17 Euros

The festival grants no refunds. Prices only apply for the festival’s own submission service.

9. Further remarks

a) Screening prints will be insured during the festival time at their print value. Any claims for replacement due to damage are to be submitted not later than 10 days after the festival.

b) The submitter has to confirm, that the composer agrees with the submission and the participation in the competition und that s/he is willing to participate in the Award Ceremony if she/he is nominated.

c) We will make every effort, but we cannot promise to invite all the filmmakers whose films have been selected. We will also provide information about private accommodations or low cost hotels.

10. Declaration of agreement

With their signature, the participants and rights holders declare their consent to take part in the competition and their agreement to these rules. There is no right of appeal. In case of doubt the festival management will decide according to international guidelines. The German version of these rules and regulations is binding.

11. Online form

Please fill in all mandatory fields truthfully and completely. Wrong details or entries like “blank blank blank”, “Please request this at …”, links to websites or similar entries will automatically lead to a disqualification of the submission!

The entry form has to be signed and returned to SoundTrack_Cologne (see §3b).

If there are any questions or problems, please check the FAQ or contact us any time via peerraben@soundtrackcologne.de

FAQ • PEER RABEN MUSIC AWARD

Before you can log in, you have to confirm your e-mail address. Make sure you have a valid e-mail address. The confirmation email could also be in your spam folder. If you can not log in despite confirming your e-mail address, try to use your last name as the username instead of your e-mail address (initial letter in capital).

Yes, your film must have a maximum length of 15 minutes including all credits.

Yes, we accept re-scored films if they fulfil our conditions of participation. You have to be in hold of all rights of the film.

Yes, your film will be eligible for submission with re-interpreted soundtracks.

No, unfortunately we do not accept soundtracks without image.

Yes, you can submit as many films as you want.

If you want to submit more than one film, please submit the films one by one. It is not possible to submit multiple films in one single submission step.

Regulations §3e:
Only short films whose production was completed after January 1st, 2025, or which had their premiere after January 1st, 2025, are eligible for submission.

Regulations §3h:
Films can only be submitted once: If you already submitted your film for the last edition of the PEER RABEN MUSIC AWARD at SoundTrack_Cologne, it will not be considered if submitted again - regardless of the selection status in the previous edition of the PEER RABEN MUSIC AWARD.

Yes, in general you are free to submit VR films, but if it would be chosen for the short list, we can only show it in a standard format with beamer or on an LED screen.

Submission deadlines and fees: 
Early Bird: 12 Euros until March 26th, 2026 10:00 am CEST
Late: 17 Euros until April 15th, 2026 10:00 am CEST